Happy Winners with Fabrice Éboué, airing on France 2

Published by Julie de Sortiraparis · Updated on July 17, 2026 at 03:31 p.m.
Happy Winners, the black comedy starring Audrey Lamy and Fabrice Eboué, airs on France 2 on Sunday, July 26, 2026 at 9:10 p.m.

Happy Winners, the dark comedy directed by Maxime Govare and Romain Choay, will air on France 2 on Sunday, July 26, 2026 at 9:10 p.m. Released in cinemas in 2024, the film brings together, among others, Audrey Lamy, Fabrice Eboué, Anouk Grinberg, Pauline Clément and Louise Coldefy.

Across four interlinked stories, Lucky Winners follows a cast of characters whose lives are upended after a lottery windfall. What was meant to bring freedom, security, or happiness quickly becomes a breeding ground for conflict, fear, and events spiraling beyond their control.

A family tries to hide a winning ticket, a woman discovers that money can’t fix her troubled relationship, and other characters end up facing greed, guilt, or the sometimes-violent fallout of sudden wealth. The film knots these strands together around a single idea: winning can be far more dangerous than losing.

Directed by Maxime Govare and Romain Choay, Heureux gagnants takes the shape of a sketch-film and uses dark humor to turn the jackpot fantasy on its head. Each segment explores a different facet of sudden money: family secrets, greed, the fear of losing everything, or how it reshapes relationships with loved ones.

The cast also features Victor Meutelet, Mathieu Lourdel, Sam Karmann, Anne Charrier, Yasin Houicha and Vincent Dedienne. The lineup moves between absurd situations, mounting tension, and social satire, delivering a tone that’s darker than your typical comedy.

Our take on Happy Winners

From a premise that starts with the idea that winning the lottery could be the worst thing that happens to you, Happy Winners had the potential to become a biting black comedy about money, greed, and the fantasy of success. The film adopts four intertwining stories, connected by the same conceit: behind every jackpot lurks a catastrophe waiting to explode.

Some segments land better than others, especially when the script lets its characters slip gradually into absurd or cruel situations. The cast willingly embraces this sharp-edged humor, with performers like Audrey Lamy, Fabrice Eboué, and Anouk Grinberg bringing pace and energy to quickly sketched roles.

Yet the movie often lacks finesse. Where a tougher satirical bite might have hit home, Happy Winners frequently doubles down on its effects, repeats its intentions, and drives the situations to a form of overreach. The humor can become a bit heavy-handed, especially when the gags lean more on caricature, violence, or accumulation than on a true sense of offbeat resonance. The sketch-like structure also amplifies this sense of unevenness: each new story restarts the film, but it prevents the characters and ideas from gaining real depth.

That declared excess may still appeal to fans of French black comedies, of shameless tastelessness, and of narratives where everything inevitably spirals out of control. Those who enjoy episodic films, macabre twists, and characters willing to lose all dignity for money may find a brisk, occasionally effective entertainment here.

Fans of subtler humor or more nuanced social satire might stay at a distance. Despite a promising premise and a solid cast, Happy Winners too often turns its darkness into a mechanical beat. The film works better as a showcase of energy, chaotic spirit, and a handful of well-judged performances than as a deep, critical look at money and human nature.

Watch the trailer for Happy Winners:

For a deeper dive, also check out our curated selection of films, series and programs to watch on TV this week, our guide to new releases across all platforms, and today’s streaming pick: What to watch today in streaming.

This page may contain AI-assisted elements, more information here.

Practical information

Dates and Opening Time
On July 26, 2026

× Approximate opening times: to confirm opening times, please contact the establishment.
    Comments