Hans van Manen: Dutch National Ballet pays tribute to the neo-classical master

Amsterdam's Dutch National Ballet presents a program in Paris devoted entirely to Hans van Manen, a key figure in neo-classical ballet. For almost 40 years, the choreographer shaped the identity of this Dutch company, creating a singular repertoire at the crossroads of classical elegance and choreographic modernity. This program is part of the TranscenDanses season, which showcases the great works of contemporary ballet.

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Four emblematic pieces will make up the evening:

• Adagio Hammerklavier (1973), on Beethoven's Sonata Op. 106, reveals a refined, sensitive approach to movement.
• Solo (1997), on Bach's Partita for solo violin, features rapid, virtuosic writing.
• Frank Bridge Variations (2005), on a score by Britten, offers a balance between classicism and contemporary expression.
• Tango's (1977), to the music ofAstor Piazzolla, would close the evening with a sensual, rhythmic touch.

The program would appeal to lovers of neo-classical and contemporary dance, sensitive to precise, musical and timeless choreographic writing. It would suit those wishing to discover or rediscover the work of a major 20th-century choreographer. Audiences in search of a theatrical narrative or spectacular staging might find this a more sober proposition, focused on the essence of movement.

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The pieces are performed by soloists from the Dutch National Ballet, including Anna Ol, Olga Smirnova and Jacopo Tissi. The music is recorded. Hans van Manen has collaborated with visual artists such as Jean Paul Vroom and Keso Dekker on sets and costumes. His work is now performed by over 70 companies worldwide.

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With this program dedicated to Hans van Manen, Dutch National Ballet offers a plunge into a choreographic language of great formal and emotional clarity. An evening at the service of pure movement, between rigor, musicality and modernity.

This article is based on available sources. The show has not been viewed by the editorial staff.

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