Replace the chaos theory butterfly with a pigeon, extend Groundhog Day by six more interminable days, and you get Comme un Lundi, the first feature-length fiction film by young Japanese director Ryo Takebayashi, in cinemas May 8, 2024.
What would you do if one of the most grueling weeks of your life were to repeat itself again, and again, and again, and again, and again? Such is the pitch of this crazy Japanese film that follows the ordeal of Yoshikawa and his colleagues in a human-sized advertising agency, trapped in a time loop that repeats itself every Monday morning, October 25.
It's a barely concealed critique of thealienation of the Japanese people from their work, with its long working hours and endless demands from an all-powerful boss, at the top of a hierarchical pyramid whose steps you can only climb by dint of hard work and seniority. Dedication, efficiency, sacrifice and boundless loyalty in the face of repetitive, exhausting tasks and untenable deadlines are the ingredients of this exhilarating office comedy, which doubles as an anxiety-inducing in camera setting.
Comme un Lundi traps us behind a desk, in the same place as the other employees, but also at the same level of incomprehension as them - we later discover that we've landed in a story that's been restarted almost... 70 times! We're on the verge of burn-out in the face of this situation, and it's not the ultra-cut-up editing (right from the looping credits) that's going to calm our nerves.
But in the end, Ryo Takebayashi delivers a bittersweet film, a sign of a certain - albeit slow - evolution of mentalities among the younger Japanese, who have understood that work is not life and that the best is the enemy of the good. The director deals with the question ofpersonal fulfillment, and the repetitive motif becomes a pretext for rediscovering the importance of human relationships and self-fulfillment.
