Comedian and authorÉric Feldman takes to the Petit Saint Martin stage with On ne jouait pas à la pétanque dans le ghetto de Varsovie, a singular show that blends stand-up, art-house theater and intimate testimony. At the crossroads of family memory and stage performance, this creation offers a bold, personal reflection on the legacy of the Holocaust, drawing on unexpected humor and a great freedom of tone.
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In On ne jouait pas à la pétanque dans le ghetto de Varsovie, Éric Feldman takes to the stage alone to deliver what he describes as a jubilant autofiction. Drawing on the story of his parents - both of whom were "hidden children" during the Second World War - the artist offers a narrative somewhere between intimate confession and collective analysis, in a free form oscillating between lecture and stand-up.
The show touches on many themes: Holocaust remembrance, of course, but also psychoanalysis, yoga, living art and questions of transmission. Through this hybrid approach, Éric Feldman weaves a spiral of stories and thoughts, where humor counterbalances the seriousness of the subject without ever distorting it.
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On ne jouait pas à la pétanque dans le ghetto de Varsovie (We Didn't Play Petanque in the Warsaw Ghetto ) is aimed at an audience sensitive to committed and atypical theatrical forms, ready to receive a personal discourse on a major historical theme. Audiences interested in questions of memory, intergenerational transmission, or collective traumas dealt with in the first person may recognize themselves here.
The humor present in the show - though subtle and thoughtful - may surprise or unsettle some viewers who expect a strictly solemn tone. So this show is not for those looking for a purely historical account or documentary reconstruction: On ne jouait pas à la pétanque dans le ghetto de Varsovie is above all a subjective, embodied and singular look at a tragic memory.
Éric Feldman writes andperforms this one-man show. The deliberately offbeat title announces the desire to shake up codes, to take a humorous approach to the past, without losing sight of the depth of the message.
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In On ne jouait pas à la pétanque dans le ghetto de Varsovie (We Didn't Play Petanque in the Warsaw Ghetto), Éric Feldman delivers a necessary, intimate and embodied account of the memory of the Holocaust, using the tools of theater, humor and autofiction. A show between laughter and gravity, to be discovered for its approach that promises to be both offbeat and deeply human.
This article is based on information available at the time of writing. The show has not been viewed by the editorial staff.
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Dates and Opening Time
From October 9, 2025 to October 26, 2025
Location
Théâtre du Petit Saint-Martin
17 Rue René Boulanger
75010 Paris 10
Prices
€14 - €33
Booking
www.portestmartin.com



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